Five for Five? Supernatural Advanced Thanatology

I was once again at a convention for last week’s Supernatural episode, so that meant trying frantically to set up the Family Don’t End With Blood vendor table and then running upstairs to borrow a friend’s hotel room to watch the episode. But this time, the hotel actually had the CW – yay!! So I was sitting perched on my friend’s bed watching all by myself, which didn’t stop me from making a lot of noise at times. Sorry, neighboring hotel rooms!

‘Advanced Thanatology’ is an unusual title for an episode, so I wasn’t sure what to expect from this one. Season 13 has been making me pretty happy so far, which means I now go into every episode with all my fingers and toes crossed because I desperately want them to keep the quality up. It’s nervewracking to be a fangirl, what can I say? This episode was written by one of the newer writers, Steve Yockey. And guess what? My finger and toe crossing worked! This is the fifth episode of the season, and the fifth one I liked. Woohoo!

We start with an unusually long opening sequence, in which a few foolish kids play out the horror film genre stereotype of ‘never do this unless you want to die’ behaviors. It was scary as hell, so I appreciated that, even though I admit that part way through I started mumbling ‘where are Sam and Dean, come on!’ I know, spoiled Supernatural fan. I just want my boys!

The actor playing Shawn, Seth Isaac Johnson, did an amazing job portraying his character’s terror though – and Alisen Down as his mom totally broke my heart. Someday I really am gonna send a gigantic fruit basket to Supernatural’s casting agency, because not only are the regulars incredible, most of the guest cast is too! The mom and son pair who were this week’s side characters served as the emotional push for Dean’s building sense of failure to go over the edge, because they portrayed fear and grief and loss so vividly. Shawn initially escapes, but he makes the other stereotypical horror film mistake of bringing home one of the creepiest things I’ve ever seen – a plague mask from the haunted house of a deceased demented doctor. I was honestly afraid I’d have nightmares that night! Kudos props department, kudos.

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Lucky Season 13 Kicks Off for Supernatural!

 

Supernatural season premiere days are special. There’s so much anticipation and excitement, I swear it must be visible from space! In the early years of the Show, there was a much smaller group of fans who squeed together on the internet, but even then we were all so passionate that the feeling was incredible. Now the rest of the world has caught up – now there’s a special issue of Entertainment Weekly, there’s Jensen on Live, there’s Jared on Kimmel, there are interviews and videos and even the network tweets about the show coming back! That excitement that has always been there is magnified, but the sense of shared passion that has always been there is just the same.

Not every season premiere has been one of my favorite episodes, but this one I loved. The opening montage was excellent, set to the melancholy ‘Nothing Else Matters’ by Metallica as we remember how desolate and alone the Winchesters are as the season begins. (Also, Metallica!) The new title card is equally awesome – I actually gasped out loud when I saw it. (I watched with two kids and a dog, all with strict instructions to be totally silent, so they all grumbled every time I made involuntary noises. Oh well.)

She’s totally a fan

We open on Dean standing over Cas’ body, and Sam trying to communicate with Jack. In other words, right where we left off. Which made me very happy indeed. The times when the season premiere has started with a time jump have never sat well with me. I want to see EVERYTHING, Show, I don’t want you to cut things out!

This should be a surprise to no one at this point, but the cinematography was gorgeous. An early shot of the boys racing down the road in the Impala is especially beautiful and probably as complex to film – the camera behind then beside then finally in front of the car. I’m sure that wasn’t easy to pull off, but it really really worked. Sometimes Supernatural looks more like a feature film than a television show on the CW, which is a credit to all the talented crew members who make that magic happen. And especially to Serge Ladouceur and director Phil Sgriccia, who I am beyond grateful to still have with the show after all these years.

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Supernatural 12.18 – This Episode is a Memory that will Definitely Remain!

Phil Sgriccia, Steve Boyle (twitter) and the boys

It’s been a while since we’ve had a Supernatural episode that made me so euphoric that I could barely contain myself – those kind of episodes are what made me the passionate fan I am. When it’s been too long between them, my enthusiasm quiets down a bit. Not that I don’t always love the show, but not with the OMG this is the best show in the history of EVER OMG jumping up and down that an episode like this one brings. And damn, does it ever feel good to be that squeeful again!

I would like to give writer John Bring lots of hugs, and my highest compliment – he wrote a scene that could have been written by former Supernatural writer Robbie Thompson. And that, for me, is REALLY saying something.

I’ll get to that wonderful scene soon, but I loved the entire episode. This was an old school Supernatural monster-of-the-week episode, reminiscent of the early seasons in so many ways. I liked the twists and turns of the case, first thinking it was a monster, then a human, then lo and behold it ended up being both. Bring didn’t forget Castiel either. We got another Cas phone call, leading up to the next episode when Castiel reappears. And we got Dean cleaning the Colt and then aiming and fake firing it, which never fails to do things to me.

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Behind the Scenes of Supernatural with Director Richard Speight Jr.

I had the pleasure of chatting with one of my favorite people at the Nashville Supernatural convention last month – Supernatural actor and director Richard Speight, Jr. I’ve known Richard since his very first Creation con appearance almost a decade ago, and I always enjoy his thoughtful insights about the show. Nashville is a particularly fun place for Richard to be, since it’s also his hometown. In fact, he was busy planning a tour for a small group of lucky fans for the next day when we met up at the green room backstage. Turns out there were a bunch of very tired people catching a few minutes of much-needed sleep in the green room, so we resourcefully pulled some chairs off a stack in the hallway and made our own little interview area (the backstage area of the hotel is literally a series of hallways that thread through the kitchen and storage areas and then spill out into the main hall, which is fairly typical for convention hotels. Not exactly scenic, but you take what you can get!)

Richard: Sorry.

Lynn: Not my first rodeo. Look how versatile I am (balancing an audio recorder precariously on a ledge and an iPad on my backpack)

Richard: (cocks an eyebrow) Yeah, you’ve got a lot of machinery there…

Lynn: So how are you?

(The audio recorder tumbles off the ledge, followed by the iPad falling off the backpack)

Lynn: You know, I thought I was being so smart and resourceful…

Richard: (Goes to get another chair)

Lynn: Thanks.

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Somewhere Between Heaven and Hell – Supernatural 12.15

WB/The CW

Last week’s episode of Supernatural had something that never fails to make me a very happy fan indeed: The Winchesters listening to each other and trusting each other and telling each other the truth. THANK YOU, SHOW! (And writer Davy Perez). That alone is enough to make a good episode imho. But actually there was one more thing that will always make me happy – Winchesters in glasses. Is it hot in here?

So let’s talk about what I liked first, and then I’ll get to the things that didn’t quite work for me. I really really loved that last conversation between Sam and Dean, where Sam comes clean about working with the BMoL and Dean, instead of flying off the handle and feeling threatened and betrayed and thus shutting down, instead hears Sam out and they come to an agreement. Dean isn’t anywhere near trusting them – and I don’t think Sam is either – but the brothers are on the same page about cautiously taking what they can from the BMoL while still retaining their independence as hunters. How easy that will be I’m not at all sure, but the important thing is that the brothers are together in the decision. I don’t know if I’ve ever loved Sam more than when he steeled himself and told his brother the truth.

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