Five Things To Love about Supernatural ‘Breakdown’ (Okay, maybe 6…)

 

I have to teach on Thursday nights this semester, which means I can’t watch Supernatural live. This makes me very cranky, which should surprise no one. But this week, I think it might have been a blessing in disguise. I came home and jumped on twitter to ask the SPNFamily whether I needed tissues at the ready to watch this episode. What came back was a barrage of suggestions, and not just for tissues:

Tissues and a security blanket….Tissues and a teddy bear… Tissues and a stiff drink….Tissues and a heart rate monitor…

Wait, a what? It was clear this episode was not going to be easy to watch. But because I’m a long time Supernatural fan, all that did was ramp up my excitement! Sure, I gathered my tissues and blankie and a glass of wine, hoping my heart would hold out without the monitor, but I was jumping with anticipation more than dread. It’s been 13 seasons of Supernatural scaring me and disturbing me and breaking my heart and I’m still watching, after all. (It makes those rare times we get affection and triumph and saving the day all the sweeter).

Breakdown did not disappoint. So instead of a recap, here’s what I loved about this episode. In no particular order other than I’m saving the one I really want to go on and on about until last. Read more

Supernatural 13.10 – Wayward Sisters!

 

Last Thursday was a day full of anticipation for the Supernatural fandom – it was the day we finally got to see the Wayward Sisters episode. Wayward Sisters was not only an episode of Supernatural, but a backdoor pilot for a possible spinoff starring instead of two brothers, six women! That fact alone, unfortunately, is pretty unusual on television, let alone on the CW. Women’s voices are finally being heard a bit more both in media and in the world in general, so the Wayward Sisters pilot is coming at a good time. Perhaps not only the Supernatural fandom but a whole lot of viewers are ready for a show whose leads are all female.

At least I hope so. Don’t get me wrong, I love Supernatural and I love it just the way it is. The show has had some amazing female characters over the years, including the ones who star in Wayward Sisters, and it has evolved from the days when a female character was in danger of being ‘fridged’ to inspire a male character to start hunting.  I love Sam and Dean and Cas to the moon and back and always will. The wonderful thing about Wayward Sisters is that it can be its own thing, an extension of the Supernatural universe just like fanfiction and fanvids and fanart are, which can be beautiful and important in its own way while Supernatural itself goes on (and on and on and on, as far as I’m concerned…)  Not all fans were on board with the possible spinoff, and that’s okay – we all like and love and want different things, and nobody has to love the same thing as I do or you do. But for many fans, the idea of ‘Wayward’ had become very important, even beyond the possibility of a spinoff.

The idea for Wayward Sisters began over two years ago – and it began in the fandom. That’s not where ideas for pilots usually come from. Fandom has all sorts of fabulous ideas, as anyone who’s been in a vibrant creative brilliant fandom like the Supernatural fandom knows. But those ideas don’t get heard, and even if they do, they certainly don’t get taken seriously to become reality! Wayward Daughters, as it was first called, was an idea that fans had – not just for a spinoff, but as a rallying cry for some of the things I write about in my books on fandom and Supernatural. For finding the courage to be yourself and proud of it – for being “Wayward As F—k.” That ‘WaywardAF’ slogan ended up on tee shirts and pajamas and all sorts of things proudly worn by fans who were tired of not being real and ready to be wayward. Actresses Kim Rhodes and Briana Buckmaster were on board from the start, adding to the empowering message. They wrote chapters in my book about the power of Supernatural and the SPNFamily (Family Don’t End With Blood) all about being WaywardAF, and so did the two women who started the Wayward Daughters movement, Riley and Betty.  Eventually the rallying cry was so loud that The Powers That Be heard it. Writer Robert Berens, who had penned some of the pivotal episodes introducing these characters, hopped on board to write the episode, now known as Wayward Sisters. And that? Is a big thing.

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It’s Hellatus – So Of Course Supernatural Leaves Us In ‘The Bad Place’!

 

 

Anyone who reads this blog knows that I LOVED last week’s episode of Supernatural, so I went into this week’s with high expectations, especially because this was the lead-in to the Wayward Sisters pilot episode that happens when we return from Hellatus. ‘The Bad Place’ turned out to be a wild rollercoaster of a ride that kept me on the edge of my seat – it literally looked and felt like a feature film crammed into 42 minutes! That’s not to say I loved all of it, but it definitely did a great job of setting up the possible spinoff while simultaneously entertaining me throughout.

So, what I liked?  Well, I really liked Jack. It was nice to meet Alexander Calvert at last weekend’s Supernatural convention and to be able to tell him in person what a fabulous job he’s doing on this show, because DAMN. I have been rooting for Jack since the beginning, which says a lot about Calvert’s acting and the way he’s been written considering he’s Lucifer’s son. I didn’t think I’d like him at all before Jack was born, so I wasn’t even prepared to care about the character – but I do.

We open with a young Native American artist, Derek, and his girlfriend discussing the difficulties of making a living through art, which, YES.

Enter Jack, a prospective buyer.

Derek: You’re young.

Jack: I am.

I laughed out loud at Calvert’s delivery, and the fresh faced expression on Jack’s face. He manages to make Jack entirely likable while also playing him with a hint of wait-is-that-a-menacing-look so I’m always a little off base and unsure. I was so horrified when we thought that Jack killed Derek, it actually made me a little sick to my stomach. I don’t WANT Jack to go dark side, Show! And that says something very good about how the character is being written and acted, because I actually CARE about him.

Writer Robert Berens does a good job of incorporating a bit of Native American lore and casting does a good job as they almost always do with finding an actor  (Nathaniel Arcand) who makes us care about him even in the four minutes he was in the episode! Arcand is not just very good looking, he invests Derek with personality too.

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Yep, Those Are My Boys – a Winchester Win in The Scorpion and the Frog

Eight episodes in, and Supernatural Season 13 is still going strong. Last week’s episode, the oddly and ominously named ‘The Scorpion and the Frog,’ which I will probably always refer to as the Heist episode, kept the winning streak going. Some of my favorite episodes of this show are the throwback episodes that feel like the early seasons, especially the “monster of the week” ones that give the mytharc a rest and let Sam and Dean do what Sam and Dean do best – hunt. This episode was still mytharc-related, because Sam and Dean are motivated to undertake the heist in return for a Nephilim tracking spell, but it felt very old school. It was the Winchesters against the bad guys, and that was a lot of fun!

This season has been so dark (albeit with bits of humor tossed in that make it all so much more bearable) – that I think I started to feel a little beaten down just like Dean. So it was nice to see the Winchesters get some kind of win, even if it wasn’t the spell they were hoping for.

Perhaps even more importantly, for me at least, this episode felt like Supernatural. Sam and Dean felt like Sam and Dean. That’s my number one make-or-break point for this show, and Meredith Glynn writes my boys the way I see them. They talk like Sam and Dean, they feel the emotions that Sam and Dean would feel, they act like Sam and Dean. I recognize them; I feel like I know them. And it’s that familiarity that provides the emotional benefit that we get from our favorite shows. Without it, Supernatural is just another genre show. Glynn doesn’t make that mistake, and it makes all the difference.

We start with a little demon theft, and a double-crossing crossroads demon who immediately reminded everyone of Crowley. I’m assuming that was intentional, but I’m not sure it was a great idea – most of the reaction I’ve seen was the same as my own. TOO SOON. We’re all grieving the loss of Crowley and Mark Sheppard, so nobody who seems to be any sort of replacement is going to be welcomed. I’m having a similar problem with Asmodeus, but this character seemed even closer. David Cubitt did a fine job of making Bart a character with personality, and it’s not his fault that I couldn’t stop missing Crowley, but my reaction threw me out of the story a bit.

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Lucky Season 13 Kicks Off for Supernatural!

 

Supernatural season premiere days are special. There’s so much anticipation and excitement, I swear it must be visible from space! In the early years of the Show, there was a much smaller group of fans who squeed together on the internet, but even then we were all so passionate that the feeling was incredible. Now the rest of the world has caught up – now there’s a special issue of Entertainment Weekly, there’s Jensen on Live, there’s Jared on Kimmel, there are interviews and videos and even the network tweets about the show coming back! That excitement that has always been there is magnified, but the sense of shared passion that has always been there is just the same.

Not every season premiere has been one of my favorite episodes, but this one I loved. The opening montage was excellent, set to the melancholy ‘Nothing Else Matters’ by Metallica as we remember how desolate and alone the Winchesters are as the season begins. (Also, Metallica!) The new title card is equally awesome – I actually gasped out loud when I saw it. (I watched with two kids and a dog, all with strict instructions to be totally silent, so they all grumbled every time I made involuntary noises. Oh well.)

She’s totally a fan

We open on Dean standing over Cas’ body, and Sam trying to communicate with Jack. In other words, right where we left off. Which made me very happy indeed. The times when the season premiere has started with a time jump have never sat well with me. I want to see EVERYTHING, Show, I don’t want you to cut things out!

This should be a surprise to no one at this point, but the cinematography was gorgeous. An early shot of the boys racing down the road in the Impala is especially beautiful and probably as complex to film – the camera behind then beside then finally in front of the car. I’m sure that wasn’t easy to pull off, but it really really worked. Sometimes Supernatural looks more like a feature film than a television show on the CW, which is a credit to all the talented crew members who make that magic happen. And especially to Serge Ladouceur and director Phil Sgriccia, who I am beyond grateful to still have with the show after all these years.

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