Things Get Serious with Supernatural ‘Funeralia’

The ominously titled “Funeralia,” written by Steve Yockey and directed by (one of my favorite directors) Nina Lopez-Corrado, kept the momentum going as Supernatural nears the end of Season 13. I had a few quibbles with this episode, but there was quite a bit that I loved a lot.

This episode had only two story lines going, which made the back and forth feel less overwhelming than it sometimes does, and I appreciated that. It let the emotional impact of both story arcs come through much more clearly, and honestly, that’s usually my favorite thing about an episode of this show. Adventure is good, but I watch for the emotional resonance, for the characters who are so real that they feel things – and I can feel with them.

Story line number one was Castiel and the fate of Heaven and the Angels. I am not always very adept at following the angelic story lines because they seem to shift from time to time when I’m not paying enough attention (or maybe that’s why I don’t pay enough attention). In this episode, Naomi reminds Cas (who apparently already knew) that Heaven is powered by angels, and without angels, all the souls housed there will fall to earth as ghosts. Huh? Weren’t there whole seasons when no one – Cas included – was at all concerned about the angel population and everyone seemed very willing to lead armies against other angel factions and kill lots of angels? Was nobody worried about Heaven being out of power as a result?? There was a time when Metatron ejected all the angels from Heaven, so I’m not sure how it kept being powered up then (or maybe he left a few dozen up there?) I also didn’t think it was powered by angels in the first place – wasn’t it powered by souls? And that’s why everyone wanted them from Purgatory? And then there was also the reapers are actually angels thing, which nobody mentioned this time, but I think that went away rather quickly which is probably for the best.

At any rate, I was a bit confused by all that new information about Heaven. Angel and Heaven canon in this Show tend to be a bit flexible, which is not my favorite thing. I was also confused about why no one told Cas that Lucifer was actually in Heaven – and where is he, for that matter? Or Jo?

Those quibbles aside, Misha Collins and Amanda Tapping made the Heaven story line compelling anyway, because they were both so damn good.
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A Most Happy Review for Supernatural A Most Holy Man!

 

I really enjoyed last week’s Supernatural episode, which feels really good to say. I don’t like not loving episodes – it makes me feel like my entire universe is somehow tilted in a wrong direction – so it’s almost a relief when Show comes back with an episode that I can thoroughly enjoy. From the very first scenes, I loved the look of it – the dark and dimly lit, atmospheric quality that it had. In some ways, it was very much an old school Supernatural episode, dark (literally) and full of twists and turns and Winchesters on a hunt for something personally important to them. Struggling with conflicting ideas of what’s right and wrong and whether the ends justify the means and struggling with their own faith in the face of overwhelming odds and too many losses. All the while teasing each other in the easy way that brothers who know they have each others’ backs no matter what can do – and knowing when the other doesn’t need teasing, but listening and empathy, and giving it freely. All that was in this episode, together with a double-triple (quadruple?) game of Clue with the Winchesters in the middle. Thank you, Bob Singer and Andrew Dabb, for writing such a satisfying episode.

I’ve come to like Amanda Tapping’s directing very much – she doesn’t rush, allows us to revel in the gorgeous lighting and cinematography that Serge Ladouceur and his team invariably bring, and to savor the beauty of the actors onscreen too. Chris Lennertz added a unique score that underscored the feeling that we were back in time throughout the episode, giving it a surreal noir feel that made it both fun and quirky. I like fun and quirky.

With Castiel tracking down clues in Syria (did he have to fly there?) Sam is in research mode, which is also old school, and Dean tired of pizza and wryly noting that the internet is not just for porn, Avenue Q classic aside. So off they go to try to find the blood of a saint, which leads them to a lady named Margaret (Leanne Lapp) who also looks like she’s right out of another era. All the set dec reinforced that feeling, with old hotels full of potted palms and flocked wallpaper and sconces for lighting – I felt like we were in the Tower of Terror ride lobby at Disney! (That is a very positive association for me…I love that ride…)  Margaret definitely appreciates what a handsome man Sam Winchester is, for which I totally could not blame her – also Jared’s acting as Sam literally jumps when she unexpectedly (and pointedly) lays her hand over his on the table was A+. He quickly clues in and uses her attraction to his benefit. Also A+. Smart Sammy.  Dean, on the other hand, definitely does not appreciate Margaret’s blatant appreciation of his little brother, which of course Jensen conveys with just his facial expressions.  Eyeroll much, Dean?

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Lynn and Kim talk Supernatural and its ‘Various and Sundry Villains’

I haven’t seen so much commentary on a Supernatural episode – and not just by the big outlets who routinely cover the show – in a long time. I’m talking fannish thinky thoughts – on Tumblr, on Twitter, on Facebook, even on LiveJournal! And that says something about ‘Various and Sundry Villains’ and the way Steve Yockey wrote the characters and the story arc this week. It was also the week to honor female directors and filmmakers, so having Amanda Tapping back to direct was wonderful – and she did an amazing job. Not only did the humor come through, but Tapping filmed the emotional scenes in a powerful way – often in ultra close ups, evoking the intimacy of the moment we were witnessing. (And also showing off our very beautiful cast…)

Ruth with director Amanda Tapping – tweet Ruth Connell

So here are my own thinky thoughts to add to the mix, and because everyone had something to say about this episode, here are some of Kim’s (my talented photographer friend) too. Amusingly, we agree passionately about some things and have a completely different take on others. But that’s how fandom should be! What we have in common is a deep love for this Show, which lets us disagree and still have lots in common.

Like most, I loved a lot about the episode, or at least I loved the overwhelming majority of the episode. The two very emotional scenes were award worthy, no question.  There were some times when the episode felt like a roller coaster though – or more accurately a Wild Mouse – because every so often it would lurch to a stop and leave me hanging onto the lap bar going wait, what? There was an unnevenness to it that was jarring at times, and that was confusing – perhaps because there was a TON happening. We’re back to multiple story lines, and that switch back and forth never sits entirely well with me. Every time I get deeply invested in what’s happening we switch to the other story line and I have a moment of irritation before I can make that mental switch too. It’s a common thing on Supernatural, but I don’t entirely enjoy it. My brain likes to go deep and then stay there, especially when my emotions are deeply engaged, as they were in much of this episode.

Kim is much more forgiving. At least she thinks she is…

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