Supernatural Gets Back to The Family Business with Tombstone

I’ve been a happy Supernatural fangirl so far in Season 13, and episode 13.06 was also a win in my book. I’m not over the moon like I was last week, but it was a solid episode with great performances once again – both dramatic and funny as hell — and some great directing by Nina Lopez-Corrado, one of my favorite SPN directors. Also a special shout out to Jay Gruska for the awesome music throughout the episode, both instrumental and song choice. This was one of those episodes that had a specific “feel” to it, with the writing (by Davy Perez), directing, music and set decoration all contributing to make it wonderful.

Supernatural has done a Western episode before, so this one didn’t carry the first time thrill of OMG we get to see Sam and Dean in the old west, but it’s been a while so I was eager to see Dean Winchester put on boots and a cowboy hat once again. And this episode marked a change in tone for the season that was significant– having Castiel back is that ‘one win’ that Dean so badly needed in order to rekindle some spark of hope so he can care again. He told Sam at the end of the last episode that he just needed a win, and he got a big one. Castiel is back, against all odds. That’s wonderful in itself, but maybe that means other things can change for the better as well. Dean has hope again, and a renewed belief that maybe what they do really CAN make a difference – just by knowing that good things can still happen. Miracles, even. I think we’ve all missed Dean’s personality this season, since his usual sense of humor and ability to take great delight in even the smallest things has been quashed by his depression, grief and hopelessness. In this episode, we start to see the Dean Winchester we know and love come back to life, and it feels almost as good as when I see that start to happen with a real person, whether a client or a friend. I’ve missed this side of you, Dean Winchester!

The episode starts with a flashlight-lit chase in a graveyard with Dean and some sheriff guy we don’t recognize, until he disappears down a hole grabbed by who knows what. Then it’s “48 Hours Earlier” and we’re back to where we left off, as Sam and Dean react to the surprise return of Cas.

Sam: I don’t know what to say…

Dean: I do. Welcome home, pal.

You can see how desperate Dean is for that win – he barely hesitates, he needs to believe this is really Cas from the get go. The relief on his face as he embraces his friend is palpable.

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Therapy, Winchester Style – Supernatural ‘The Big Empty’

There are two stories running in ‘The Big Empty’, both of them dealing with emptiness, either literal or metaphorical. There’s Dean and Sam, struggling with the emptiness left behind by too many losses and taking it out on each other (and Jack – who is also struggling with the emptiness of being orphaned and not knowing who you are).

And there’s the literal Big Empty, where Castiel awakened at the end of last episode to find himself alone.

When this episode starts, however, Cas finds himself alone no longer. There’s an entity there with him that has his face and form, but it’s not exactly good company. In fact, it’s pissed as hell that when Cas woke up, he did too. The Empty is apparently the place where angels and demons go when they die, and they pretty much just slumber there, which means the Entity can slumber too. He loves sleep almost as much as I do, and that’s really saying something. That Castiel is now keeping him from his cherished sleep is making the Entity very cranky – which he takes out on Cas with a lot of physical abuse. Ouch.

Supernatural has played with characters confronting different versions of themselves before – Dean confronting future!Dean in ‘The End’ memorably comes to mind – so Cas confronting Entity!Cas isn’t unprecedented. I was caught off guard, though, by the way Misha Collins plays the other version. Because he’s very very different! I wasn’t sure whether to laugh at Entity!Cas or be chilled by him, or maybe a little bit of both. He seemed to have a little bit of Alastair and a little bit of Zachariah and possibly a little bit of Balthazar in him too. He almost seems friendly, or at least amusing, until he punches you in the stomach. Again, ouch.

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That Hurt – Alot of Heartache in Supernatural’s ‘Patience’

I was excited to watch last week’s Supernatural episode while at a Supernatural convention in, of all perfect places for this particular show, New Orleans. Ghosts and vampires and witches and voodoo everywhere, what could be better? I made sure to be in my hotel room ten minutes early, ready to tweet, anticipation building…only to find that one of the many versions of CSI was airing on the local CW affiliate. BOO. I managed to watch the episode the next day on my phone, but that’s not the sort of viewing I was hoping for so this is more review than recap. Nevertheless, here are some thoughts on the third episode of Season 13.

It’s hard to say I enjoyed the episode, because much of it wasn’t what I would call enjoyable to watch – this show I love is like that sometimes. It draws me in and then stabs me in the heart, because I care about these characters so much. When they’re hurting, I’m hurting. And right now? The Winchesters are hurting. Add to that several other characters who I’ve come to like a lot – who are also hurting – and that’s a lot of hurt for one poor fangirl to endure in 42 minutes of television.

Let’s talk about those other two first. Missouri Mosely was one of my favorite characters from the early seasons of Supernatural. She was wise and warm and took no crap from the Winchester boys. She was a little bit of mother figure for them in a time when they didn’t have one at all, long before Mary came back or Jody Mills played a bit of that role for them. She was also one of the first women of color to appear on the show. Loretta Devine invested the character with so much personality, she lit up every scene she was in. I always wished they’d have her back, and was thrilled to find out that was finally happening. Loretta did just as fabulous a job as ever, and I loved being able to see both Missouri’s obvious care for the Winchesters (and Baby) and that she’s as capable of sassing them right back as ever. Dean’s quiet “yes ma’am” and Missouri’s returned warmth was one of those small emotional moments that carries a big impact, hearkening back to early seasons and reminding me who Dean really is and how much the people who cared about him in those early days meant to him.

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Heartstring Tugs and Badass Acrobatics – Supernatural 13.02 ‘The Rising Son’

 

The second episode of Supernatural’s 13th Season kept up the momentum we began with the season premiere. There was a bit more exposition than I might have liked, and a bit of that jumping around that sometimes jars me, but there were also some intense and emotional scenes – which is what I like the most about this show. This is a one-time-viewing review thanks to being away on a family mini vacation, but it was a memorable episode.

So what did I enjoy? Once again, I really appreciated Alex Calvert’s portrayal of Jack and the way the character has been written (and in this case directed by Tom Wright). I haven’t been so captivated by a new character in a long time and much of that is due to Calvert’s fine-tuned and never over the top acting skills. He shows us a vulnerability to Jack that makes it impossible not to root for him, even when he loses his temper or jumps to conclusions like a toddler having a tantrum in a grocery store.

The character shouldn’t work as well as it does – we should be skeptical of what almost seems like it could be a ‘jump the shark’ move, introducing the main characters’ much younger neighbor or brother or whatever. Of course in this case, the main characters are still hot like burning so Calvert may be younger but the hotness factor is now just spread over more people. Still, it might have been seen as a jump the shark move, but it’s too well done and Calvert is just too good to let that be the case.

Case in point. Jack trying to be just like Dean broke my heart. Imitating his every move. Wanting to watch Scooby Doo (nice reference to the upcoming crossover, Show).  Dean starts to get drawn in – his caretaking instincts kick in momentarily as he questions whether Jack is old enough to drink a beer – and then he pulls back, reminding himself who Jack is and telling him to knock it off and stop imitating him.

 

Dean tosses Jack the Bible instead, where he reads about Lucifer, his actual father.

Jack: And that’s a bad thing?

Dean: Damn straight.

Jack: And God, is he famous or something?

You might say that. Poor Jack, so earnest and so confused.

Both Alex and Jensen were phenomenal in those scenes – and so was Jared was. Sam watching with such a fond look on his face, no doubt remembering when he was doing the same thing, trying to be just like his big brother. When Dean admonishes Jack that his food isn’t going anywhere, Sam is incredulous, reminding Dean that he’s the same way.

I mean, basically everyone just wants to be Dean Winchester. Which is totally understandable.

The constant back and forth between Dean and Sam about just how human Jack really is worked for me too,  Sam keeps referring to Jack as ‘him’, while Dean sticks to depersonalizing Jack, calling him ‘it’.  Their disagreement about Jack also allowed the show to inject just the right amount of humor into what was mostly a serious episode.

 

Dean trying to get Jack to teleport out the door to their motel room was hysterical, especially as Jack responded to ‘get to the other side of the door quickly’ by getting up and calmly walking across the room and through the door, then knocked. The smile on his face was priceless, as was Dean’s eye roll.

Every scene of Sam and Jack together was a treat. There is so much depth to their relationship already, mostly due to what we know about Sam’s own history of feeing like a ‘freak’ who Dean might just have to kill if he can’t control his powers. Jared’s nuanced acting and his ability to show us Sam’s vulnerability invest every scene of Sam and Jack with so much emotion. Sam clearly has empathy for Jack. Not sympathy, but empathy. He can put himself in Jack’s shoes because he has BEEN in Jack’s shoes. Trying  to win Dean’s approval, trying to be just like Dean but fearing he never can be – that’s exactly where Jack is right now.

In recent interviews Jared has talked about how satisfying it is to have a story line for Sam that he can really did into. Jack is forcing Sam to relive some of the most difficult times of his life, and probably pulling some of those old doubts to the surface as well – especially when he can’t convince Dean to see Jack as he does.  We also get to see that Sam learned a lot from Dean about caretaking though, since he’s every bit as nurturing of Jack as we all know Dean was nurturing of Sam.

Which brings me to another thing I really enjoyed in this episode – Sam and Dean sitting across the kitchen table or wherever they happened to be and really talking. Sam being honest, trying to convince Dean. Dean listening and being honest back, even if that means both of them acknowledging that they’re having a disagreement. But they’re not fighting and they’re not tuning each other out. They’re valuing each other’s perspectives even when they don’t agree. And let’s face it, I’m always going to be a happy fangirl when the brothers are having a serious conversation, anytime any place anyhow. Period.

Sam knows his brother. And I love how well he knows his brother. He knows that the unimaginable losses they’ve just endured have pushed Dean past the breaking point, that Dean is shutting down in an attempt to deal with all the pain. He also knows that he is the only one who might be able to help Dean through that kind of grieving.

Sam: We’ve been down before. We find a way, we fix it. Because that’s what we do.

That right there? That is my Show!

The blank, almost dead expression in Dean’s eyes nearly killed me though. How does Ackles even get his face to do that??

 

What I missed most about last season was being able to see and feel the brothers’ relationship. That’s what makes the show special for me, and if I don’t see it, the sense of specialness fades. So the focus on Sam and Dean and how they’re feeling, about Jack and about each other, feels really good – it feels like my Show. I love love loved the scene where Jack retreats outside to the alley to hide after witnessing Sam and Dean arguing about him (in a perfect depiction of every child of fighting parents who feels to blame and caught in the middle).  Also, oops, turns out that Jack can teleport after all!

Jack looks up at Sam and asks plaintively ‘Is that why Dean hates me?’ My heart breaks for him, and then in a flash I’m both smiling and sobbing at the same time because of what Sam says and the tenderness with which he says it. Padalecki nailed this scene, as did Calvert. And Sam shows us all just how well he knows his big brother. Even though they don’t agree, Sam understands why Dean is reacting the way he is.

 

Sam explains that Dean’s wires get crossed when he’s afraid – that he feels like it’s his job to protect everyone. Not just Jack, but to protect people from Jack too.

I don’t know why, but that scene just gutted me – in the best way. Sam isn’t angry at Dean, not at all. He understands why Dean is so vigilant about Jack and he understands how that ties into the messages that were ingrained in Dean from the start. The protector – of Sammy, and now of everyone else.

My heart.

Jack questions whether he’s worth caring about, breaking my heart again, but Sam reassures him.

Sam: Your mother thought you were. So did Cas. So do I.

God, I love Sam.

He later tries to explain to Dean how Jack is feeling, ghosts of the Winchesters’ past once again coloring his words.

Sam: Jack is scared to death of who he is and he’s scared of you.

 

I don’t always love what Eugenie Ross-Leming and Brad Buckner write, but I loved some of these scenes so much. Thank you for the Sam and Dean conversation, and for remembering how well they know each other.

I was also happy to see the return of Donatello, since I like the actor who plays him. Also he has a great entrance line.

Donatello: Sam? Dean? Is God with you?

Only on Supernatural would that sound totally normal.

I don’t think Donatello entirely appreciated the view, but if I ever end up flat on my back unexpectedly, I hope this is what greets me when I look up.

 

 

I kinda love Donatello’s resourcefulness. Had your soul sucked out of you by the Darkness? Just keep asking yourself ‘What would Mr. Rogers do?’  I feel like if more people asked themselves that, we’d be in much better shape right now all around.

Also that moment when Donatello tries to get paternal and puts a hand on both Sam and Dean’s shoulders – and they shrug him off totally in sync? Perfection.

What else did I like? Oh yes, the tattoo scene! It was a big week for tattoos in the Supernatural fandom, since the day before Jensen Ackles got his first one. The suspense and anticipation waiting for it to be revealed had fans on the edge of their seats for over 24 hours, and then gasping in delight when we finally got to see it. When Ackles decides to do something, he goes all in. Tattoos are no exception. The fact that it was for his daughter (and was also strikingly beautiful) just made it more awesome.

Anyway, it was tattoo week for SPN, so Sam and Dean also take Jack to get the protection sigil tattooed. Too bad getting a tattoo hurts (props to Ackles but I’m sticking with my one small one, because OUCH), and that means Jack involuntarily throws the artist across the room.

 

He perseveres and Jack manages to allow it, only to have them disappear as his Nephilim body instantly heals itself. Oops.

I also liked Sam’s explanation, and the fact that the showed off his own.

Sam: We’re brothers. It’s kind of like a family crest.

Yeah it is. Glad to see Sam still has his!

 

One last thing that I really appreciated about this episode. Rob Hayter, the new stunt coordinator, has really been pulling out all the stops this season so far. The fight scene in this episode, mostly between Dean and a demon, was friggen’ amazing. Once again, I think it’s pretty clear that Jensen did the scene himself – those are definitely his thighs wrapped around that demon as he tries to fight it off. I mean, not that I know for sure, not like I’ve looked that closely or anything, but….yeah, I’m pretty sure. I’m not sure that other actor really appreciated the logistics of his situation, judging by the face he’s making. Pity.

 

I loved the all-in fight scene, I loved Sam rushing in and saving the day (and his brother), and I loved Dean being totally badass and throwing an angel blade down the hallway to take out another demon.  Damn, boys! Love me some badass Winchesters.

 

The other two things that happened in this episode – because A LOT happened in this episode – were the introduction of Asmodeus and Michael.

Asmodeus, the fourth prince of hell, is determined to find Lucifer’s son – and sway him to evil doings. Apparently back in the day Asmodeus tried to curry favor with Lucifer by freeing the shedim, very big bad things that even scared Lucifer. Their disagreement is how Asmodeus ended up scarred – and loyal to Lucifer. (And all that means that Asmodeus had a hell of a lot of exposition).  I understand why they need someone to replace Crowley who can go back to being a really bad guy instead of the bad guy we all ended up loving, I do. And Jeffrey V Parise did a good job investing the character with personality and menace. But I’m still grieving Crowley and Mark Sheppard and having a hard time with the simple fact that he’s been replaced.  I just…I miss Crowley, okay?

Asmodeus is able to take whatever form he wants, which is handy for him and inconvenient for the Winchesters. First he pretends to be a bartender chatting with Dean (and thank god he didn’t hit on her, which would have made zero sense in the context of the story) and then pretends to be Donatello getting info from Sam. The most suspenseful scene of the episode was Asmodeus/Donatello trying to convince poor Jack to free the Shedim after feeding him some BS about how it’s the right thing to do. I was actually screaming at my TV, NOOOO Jack, don’t do it! As Sam and Dean and the real Donatello raced there in Baby, I wanted to yell at Dean that it wasn’t Jack’s fault, he didn’t realize what he was doing!

Also props to Serge and Tom Wright for the gorgeous Dean close-ups in the car.

Anyway, Jack comes close to opening a hell mouth and setting the Shedim (who are a very big bad and whose almost-introduction was super creepy) free.

Luckily Asmodeus makes the mistake of attacking the Winchesters, and that lets Jack know what’s right and wrong in that moment. He zaps Asmodeus out of there, accusing him of “hurting my friends”.

Now I’m screaming at my TV, did you hear that, Dean??

Of course Sam brings that up later, but it doesn’t necessarily change Dean’s mind.  He tells Sam that they aren’t on the same page, not at all. But Dean is clearly conflicted, and Ackles plays that, ever so subtly. As Dean heads down the hall to his bedroom, he hears noises. Jack stands before a mirror, stabbing himself repeatedly, his white tee shirt torn in multiple places, the blade red with his blood even though he’s healing instantly.

Dean, clearly distraught, grabs the blade away from Jack. Again, his instincts to protect kick in, and then he fights them.

 

Jack: What am I? I can’t control whatever this is. I will hurt someone.

Dean says that if he’s right and it comes to killing Jack, he’ll be the one to do it.

Ouch. Such a powerful call back to what John wanted Dean to do to Sam, if it came to it. That scene totally broke my heart.

The other new character – well, not exactly new character but new version – is Michael (Christian Keyes). Again, I have to say that Keyes did an excellent job portraying Michael, and gives him both charisma and gravity.  But again, I flinched a little because it’s not Matt Cohen. (yes yes I know, Cohen is busy on General  Hospital – doesn’t stop me from wishing he was back on Supernatural!)

The show jumps back and forth between the main story and what’s happening in the AU, where Mary is trapped with Lucifer, and that also threw me a bit. I never like it when we jump back and forth between (as of now) unrelated stories, and this episode was no exception. That takes nothing from Samantha Smith’s or Mark Pellegrino’s performance, they have a good snarky (him) and eyerolling (her) vibe going on between them, but I kept wanting to get back to the Winchesters. Eventually in the AU they encounter Michael, who in his world has vanquished Lucifer. The two archangels tangle, and it looks like Michael can best Lucifer in this world too. At least for now.

So mostly a “YES!” review for this episode. While John Winchester wasn’t explicitly mentioned in this episode, the theme of fatherhood was all over it. Lucifer and Castiel as Jack’s father figures, the Winchesters as Jack’s “two dads”, even Dean’s conversation with Asmodeus-as-bartender about always wanting to please your father. That makes me excited to see where we’re going, and to watch Sam and Dean (and eventually Cas) struggle with what it means to “parent” someone, let alone someone like Jack.

Also the Show gave me Dean in a single layer (Henley alert!) so I’m not in the mood for complaining. I’m excited to chat with the cast next weekend at the New Orleans convention now that the show is back on and I can ask show-related questions.

I just hope the hotel in New Orleans gets the CW!

Thanks to @kayb625 for the pretty caps!

–Lynn

For more from the Supernatural cast, read their

stories in their own words in Family Don’t End

With Blood, links on this page!

 

 

 

Lucky Season 13 Kicks Off for Supernatural!

 

Supernatural season premiere days are special. There’s so much anticipation and excitement, I swear it must be visible from space! In the early years of the Show, there was a much smaller group of fans who squeed together on the internet, but even then we were all so passionate that the feeling was incredible. Now the rest of the world has caught up – now there’s a special issue of Entertainment Weekly, there’s Jensen on Live, there’s Jared on Kimmel, there are interviews and videos and even the network tweets about the show coming back! That excitement that has always been there is magnified, but the sense of shared passion that has always been there is just the same.

Not every season premiere has been one of my favorite episodes, but this one I loved. The opening montage was excellent, set to the melancholy ‘Nothing Else Matters’ by Metallica as we remember how desolate and alone the Winchesters are as the season begins. (Also, Metallica!) The new title card is equally awesome – I actually gasped out loud when I saw it. (I watched with two kids and a dog, all with strict instructions to be totally silent, so they all grumbled every time I made involuntary noises. Oh well.)

She’s totally a fan

We open on Dean standing over Cas’ body, and Sam trying to communicate with Jack. In other words, right where we left off. Which made me very happy indeed. The times when the season premiere has started with a time jump have never sat well with me. I want to see EVERYTHING, Show, I don’t want you to cut things out!

This should be a surprise to no one at this point, but the cinematography was gorgeous. An early shot of the boys racing down the road in the Impala is especially beautiful and probably as complex to film – the camera behind then beside then finally in front of the car. I’m sure that wasn’t easy to pull off, but it really really worked. Sometimes Supernatural looks more like a feature film than a television show on the CW, which is a credit to all the talented crew members who make that magic happen. And especially to Serge Ladouceur and director Phil Sgriccia, who I am beyond grateful to still have with the show after all these years.

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