It’s Hellatus – So Of Course Supernatural Leaves Us In ‘The Bad Place’!

 

 

Anyone who reads this blog knows that I LOVED last week’s episode of Supernatural, so I went into this week’s with high expectations, especially because this was the lead-in to the Wayward Sisters pilot episode that happens when we return from Hellatus. ‘The Bad Place’ turned out to be a wild rollercoaster of a ride that kept me on the edge of my seat – it literally looked and felt like a feature film crammed into 42 minutes! That’s not to say I loved all of it, but it definitely did a great job of setting up the possible spinoff while simultaneously entertaining me throughout.

So, what I liked?  Well, I really liked Jack. It was nice to meet Alexander Calvert at last weekend’s Supernatural convention and to be able to tell him in person what a fabulous job he’s doing on this show, because DAMN. I have been rooting for Jack since the beginning, which says a lot about Calvert’s acting and the way he’s been written considering he’s Lucifer’s son. I didn’t think I’d like him at all before Jack was born, so I wasn’t even prepared to care about the character – but I do.

We open with a young Native American artist, Derek, and his girlfriend discussing the difficulties of making a living through art, which, YES.

Enter Jack, a prospective buyer.

Derek: You’re young.

Jack: I am.

I laughed out loud at Calvert’s delivery, and the fresh faced expression on Jack’s face. He manages to make Jack entirely likable while also playing him with a hint of wait-is-that-a-menacing-look so I’m always a little off base and unsure. I was so horrified when we thought that Jack killed Derek, it actually made me a little sick to my stomach. I don’t WANT Jack to go dark side, Show! And that says something very good about how the character is being written and acted, because I actually CARE about him.

Writer Robert Berens does a good job of incorporating a bit of Native American lore and casting does a good job as they almost always do with finding an actor  (Nathaniel Arcand) who makes us care about him even in the four minutes he was in the episode! Arcand is not just very good looking, he invests Derek with personality too.

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That Hurt – Alot of Heartache in Supernatural’s ‘Patience’

I was excited to watch last week’s Supernatural episode while at a Supernatural convention in, of all perfect places for this particular show, New Orleans. Ghosts and vampires and witches and voodoo everywhere, what could be better? I made sure to be in my hotel room ten minutes early, ready to tweet, anticipation building…only to find that one of the many versions of CSI was airing on the local CW affiliate. BOO. I managed to watch the episode the next day on my phone, but that’s not the sort of viewing I was hoping for so this is more review than recap. Nevertheless, here are some thoughts on the third episode of Season 13.

It’s hard to say I enjoyed the episode, because much of it wasn’t what I would call enjoyable to watch – this show I love is like that sometimes. It draws me in and then stabs me in the heart, because I care about these characters so much. When they’re hurting, I’m hurting. And right now? The Winchesters are hurting. Add to that several other characters who I’ve come to like a lot – who are also hurting – and that’s a lot of hurt for one poor fangirl to endure in 42 minutes of television.

Let’s talk about those other two first. Missouri Mosely was one of my favorite characters from the early seasons of Supernatural. She was wise and warm and took no crap from the Winchester boys. She was a little bit of mother figure for them in a time when they didn’t have one at all, long before Mary came back or Jody Mills played a bit of that role for them. She was also one of the first women of color to appear on the show. Loretta Devine invested the character with so much personality, she lit up every scene she was in. I always wished they’d have her back, and was thrilled to find out that was finally happening. Loretta did just as fabulous a job as ever, and I loved being able to see both Missouri’s obvious care for the Winchesters (and Baby) and that she’s as capable of sassing them right back as ever. Dean’s quiet “yes ma’am” and Missouri’s returned warmth was one of those small emotional moments that carries a big impact, hearkening back to early seasons and reminding me who Dean really is and how much the people who cared about him in those early days meant to him.

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