It’s Hellatus – So Of Course Supernatural Leaves Us In ‘The Bad Place’!

 

 

Anyone who reads this blog knows that I LOVED last week’s episode of Supernatural, so I went into this week’s with high expectations, especially because this was the lead-in to the Wayward Sisters pilot episode that happens when we return from Hellatus. ‘The Bad Place’ turned out to be a wild rollercoaster of a ride that kept me on the edge of my seat – it literally looked and felt like a feature film crammed into 42 minutes! That’s not to say I loved all of it, but it definitely did a great job of setting up the possible spinoff while simultaneously entertaining me throughout.

So, what I liked?  Well, I really liked Jack. It was nice to meet Alexander Calvert at last weekend’s Supernatural convention and to be able to tell him in person what a fabulous job he’s doing on this show, because DAMN. I have been rooting for Jack since the beginning, which says a lot about Calvert’s acting and the way he’s been written considering he’s Lucifer’s son. I didn’t think I’d like him at all before Jack was born, so I wasn’t even prepared to care about the character – but I do.

We open with a young Native American artist, Derek, and his girlfriend discussing the difficulties of making a living through art, which, YES.

Enter Jack, a prospective buyer.

Derek: You’re young.

Jack: I am.

I laughed out loud at Calvert’s delivery, and the fresh faced expression on Jack’s face. He manages to make Jack entirely likable while also playing him with a hint of wait-is-that-a-menacing-look so I’m always a little off base and unsure. I was so horrified when we thought that Jack killed Derek, it actually made me a little sick to my stomach. I don’t WANT Jack to go dark side, Show! And that says something very good about how the character is being written and acted, because I actually CARE about him.

Writer Robert Berens does a good job of incorporating a bit of Native American lore and casting does a good job as they almost always do with finding an actor  (Nathaniel Arcand) who makes us care about him even in the four minutes he was in the episode! Arcand is not just very good looking, he invests Derek with personality too.

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Yep, Those Are My Boys – a Winchester Win in The Scorpion and the Frog

Eight episodes in, and Supernatural Season 13 is still going strong. Last week’s episode, the oddly and ominously named ‘The Scorpion and the Frog,’ which I will probably always refer to as the Heist episode, kept the winning streak going. Some of my favorite episodes of this show are the throwback episodes that feel like the early seasons, especially the “monster of the week” ones that give the mytharc a rest and let Sam and Dean do what Sam and Dean do best – hunt. This episode was still mytharc-related, because Sam and Dean are motivated to undertake the heist in return for a Nephilim tracking spell, but it felt very old school. It was the Winchesters against the bad guys, and that was a lot of fun!

This season has been so dark (albeit with bits of humor tossed in that make it all so much more bearable) – that I think I started to feel a little beaten down just like Dean. So it was nice to see the Winchesters get some kind of win, even if it wasn’t the spell they were hoping for.

Perhaps even more importantly, for me at least, this episode felt like Supernatural. Sam and Dean felt like Sam and Dean. That’s my number one make-or-break point for this show, and Meredith Glynn writes my boys the way I see them. They talk like Sam and Dean, they feel the emotions that Sam and Dean would feel, they act like Sam and Dean. I recognize them; I feel like I know them. And it’s that familiarity that provides the emotional benefit that we get from our favorite shows. Without it, Supernatural is just another genre show. Glynn doesn’t make that mistake, and it makes all the difference.

We start with a little demon theft, and a double-crossing crossroads demon who immediately reminded everyone of Crowley. I’m assuming that was intentional, but I’m not sure it was a great idea – most of the reaction I’ve seen was the same as my own. TOO SOON. We’re all grieving the loss of Crowley and Mark Sheppard, so nobody who seems to be any sort of replacement is going to be welcomed. I’m having a similar problem with Asmodeus, but this character seemed even closer. David Cubitt did a fine job of making Bart a character with personality, and it’s not his fault that I couldn’t stop missing Crowley, but my reaction threw me out of the story a bit.

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Director Richard Speight Jr. Helms a Wild Ride in Supernatural’s War of the Worlds

There was a new Supernatural episode last week even though in the US that day was the Thanksgiving holiday, which meant I was at a big family gathering and not in charge of what was going to be watched at 8 pm. Lucky for me, I have really considerate family members, because most of us ended up watching my favorite Show. However, I couldn’t exactly tell people not to make a sound (which is how I like to watch Supernatural. I mean, I make a lot of sounds, but the rest of the family should be quiet. What?) I kindly said “oh no, please feel free to keep chatting” when asked, even though I might have been gritting my teeth.

But it turns out that the episode was engaging enough that everyone ended up watching instead of chatting – thanks, I think, to Richard Speight Jr.’s directing. I’ve loved every episode Richard has directed, especially the last two, and especially especially ‘Just My Imagination’.  ‘War of the Worlds’, is not going to go down in history as one of my favorites, but thanks to Richard’s directing there was never a dull moment and I definitely wasn’t bored. It’s just that my favorite episodes have an emotional arc for the Winchesters, some of the brother moments I live for, some psychological insights into the main characters who I care about – something that grabs me and reminds me why I love this show. This episode didn’t have those things, but what it did have is excitement and surprises and reveals and some pretty epic fight scenes. Speight made sure all of that came through and kept me riveted.

We start out with strikingly beautiful images, which were so serene they didn’t look like they belonged on Supernatural. But it’s only Michael invading Lucifer’s brain to see what Earth is all about. Michael is not nice at all, which should be no surprise because angels on Supernatural are just about the most deplorable beings ever. Except for Castiel, who (as is pointed out in this episode) is truly a renegade. This fact about angels was quite confusing to the extended family members who decided to watch with me.

Michael locks Lucifer in an iron maiden and brutally tortures him, Lucifer screaming plaintively.

Family: Uh, I thought you said that guy Michael was an angel.

Me: Oh yeah, he is. Typical.

Family: Typical? And who’s that poor guy screaming and bleeding?

Me: Lucifer.

Family: Wait, the Devil? An angel is torturing the devil??

Me (silently) This was such a bad idea…

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Supernatural Gets Back to The Family Business with Tombstone

I’ve been a happy Supernatural fangirl so far in Season 13, and episode 13.06 was also a win in my book. I’m not over the moon like I was last week, but it was a solid episode with great performances once again – both dramatic and funny as hell — and some great directing by Nina Lopez-Corrado, one of my favorite SPN directors. Also a special shout out to Jay Gruska for the awesome music throughout the episode, both instrumental and song choice. This was one of those episodes that had a specific “feel” to it, with the writing (by Davy Perez), directing, music and set decoration all contributing to make it wonderful.

Supernatural has done a Western episode before, so this one didn’t carry the first time thrill of OMG we get to see Sam and Dean in the old west, but it’s been a while so I was eager to see Dean Winchester put on boots and a cowboy hat once again. And this episode marked a change in tone for the season that was significant– having Castiel back is that ‘one win’ that Dean so badly needed in order to rekindle some spark of hope so he can care again. He told Sam at the end of the last episode that he just needed a win, and he got a big one. Castiel is back, against all odds. That’s wonderful in itself, but maybe that means other things can change for the better as well. Dean has hope again, and a renewed belief that maybe what they do really CAN make a difference – just by knowing that good things can still happen. Miracles, even. I think we’ve all missed Dean’s personality this season, since his usual sense of humor and ability to take great delight in even the smallest things has been quashed by his depression, grief and hopelessness. In this episode, we start to see the Dean Winchester we know and love come back to life, and it feels almost as good as when I see that start to happen with a real person, whether a client or a friend. I’ve missed this side of you, Dean Winchester!

The episode starts with a flashlight-lit chase in a graveyard with Dean and some sheriff guy we don’t recognize, until he disappears down a hole grabbed by who knows what. Then it’s “48 Hours Earlier” and we’re back to where we left off, as Sam and Dean react to the surprise return of Cas.

Sam: I don’t know what to say…

Dean: I do. Welcome home, pal.

You can see how desperate Dean is for that win – he barely hesitates, he needs to believe this is really Cas from the get go. The relief on his face as he embraces his friend is palpable.

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Five for Five? Supernatural Advanced Thanatology

I was once again at a convention for last week’s Supernatural episode, so that meant trying frantically to set up the Family Don’t End With Blood vendor table and then running upstairs to borrow a friend’s hotel room to watch the episode. But this time, the hotel actually had the CW – yay!! So I was sitting perched on my friend’s bed watching all by myself, which didn’t stop me from making a lot of noise at times. Sorry, neighboring hotel rooms!

‘Advanced Thanatology’ is an unusual title for an episode, so I wasn’t sure what to expect from this one. Season 13 has been making me pretty happy so far, which means I now go into every episode with all my fingers and toes crossed because I desperately want them to keep the quality up. It’s nervewracking to be a fangirl, what can I say? This episode was written by one of the newer writers, Steve Yockey. And guess what? My finger and toe crossing worked! This is the fifth episode of the season, and the fifth one I liked. Woohoo!

We start with an unusually long opening sequence, in which a few foolish kids play out the horror film genre stereotype of ‘never do this unless you want to die’ behaviors. It was scary as hell, so I appreciated that, even though I admit that part way through I started mumbling ‘where are Sam and Dean, come on!’ I know, spoiled Supernatural fan. I just want my boys!

The actor playing Shawn, Seth Isaac Johnson, did an amazing job portraying his character’s terror though – and Alisen Down as his mom totally broke my heart. Someday I really am gonna send a gigantic fruit basket to Supernatural’s casting agency, because not only are the regulars incredible, most of the guest cast is too! The mom and son pair who were this week’s side characters served as the emotional push for Dean’s building sense of failure to go over the edge, because they portrayed fear and grief and loss so vividly. Shawn initially escapes, but he makes the other stereotypical horror film mistake of bringing home one of the creepiest things I’ve ever seen – a plague mask from the haunted house of a deceased demented doctor. I was honestly afraid I’d have nightmares that night! Kudos props department, kudos.

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